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John Calley, a aloft top controlling at Warner Bros., United Artists and Sony Pictures Entertainment and a ambassador whose credits accommodate “The Remains of the Day” and “The Da Vinci Code,” has died. He was 81.

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Calley died Tuesday at his home in Los Angeles afterwards a continued illness, according to Steve Elzer, a abettor for Sony Pictures.

Highly admired by Hollywood’s artistic community, Calley in 2009 was alleged the almsman of the Irving G. Thalberg Memorial Accolade from the Academy of Motion Account Arts and Sciences. He was clumsy to appear the nontelevised banquet commemoration that year because of his health.

The award, accustomed to “a artistic ambassador whose anatomy of assignment reflects a consistently aerial affection of motion account production,” was a celebrated cap to his continued career in films.

After acceptable an controlling carnality admiral at Filmways Inc. in 1960, Calley was accessory ambassador on films such as “The Americanization of Emily,” “The Sandpiper” and “The Cincinnati Kid” and a ambassador of “The Loved One,” “Castle Keep,” “Catch-22″ and added films.

In 1969, he became controlling carnality admiral in allegation of assembly at Warner Bros.; he became admiral in 1975.

“Under Calley, Warners became the chic act in town,” Peter Biskind wrote in his 1998 book “Easy Riders, Raging Bulls: How the Sex-Drugs-And-Rock ‘N’ Roll Generation Saved Hollywood.”

“Urbane and witty, he gave the consequence that he was somehow aloft it all, slumming in the Hollywood cesspool,” Biskind wrote. “As one wag put it, he was the dejected in the toilet bowl.”

At Warner Bros., Calley created what Biskind alleged “an atmosphere adapted to ‘60s-going-on ‘70s filmmakers” and was accepted for relying heavily on his own aftertaste in acrimonious films.

Among Warner’s Calley-era bill of fare: “Woodstock,” “A Clockwork Orange,” “Mean Streets,” “The Towering Inferno,” “McCabe and Mrs. Miller,” “The Exorcist,” “Dog Day Afternoon,” “Deliverance,” “Dirty Harry,” “All the President’s Men,” “Blazing Saddles,” “Superman” and “Chariots of Fire.”

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In 1980, the 50-year-old Calley had aloof active a new seven-year accord with Warner Bros. reportedly admired at $21 actor aback he absitively to do the unimaginable: quit.

“I wasn’t adequate it,” he told The Times in 1994. “I acquainted in some absurd way that I had absent myself, that I had no faculty of myself and that I was actuality declared by myself by my buzz account and the invitations which I never responded to.”

Moving to Fishers Island in Continued Island Sound, he became what a New York Times biographer declared as a “virtual hermit.” He after confused to rural Connecticut.

He spent his mornings arena the bolt bazaar and again spent the blow of the day obsessively account novels. Summers, he’d captain his baiter in the Mediterranean. He rarely watched TV or movies.

“I appealing abundant chock-full active a abreast life,” he after told Newsweek magazine.

He resurfaced in 1989 as controlling ambassador of the blur “Fat Man and Little Boy” and again as a ambassador on “Postcards from the Edge” (1990) and “The Remains of the Day” (1993), which accustomed an Oscar choice for best picture.

But for the best part, Calley told Newsweek in 1996, “I was aloof sleeping added and more. Not a archetypal abasement sleeping, but I enjoyed absent added than activity to cocktail parties.”

He said he was sleeping 16 to 18 hours a day aback aptitude abettor Michael Ovitz alleged and apprenticed him to appear out of retirement to acquire an action to become admiral of the aged United Artists in 1993.

At United Artists, Calley bound apparent it wasn’t the aforementioned Hollywood he had left.

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“The aboriginal ages or two were harrowing,” he said in the Newsweek interview. “I didn’t apperceive the grammar, the people. I hadn’t apparent a cine in eight or 10 years. I fabricated comatose mistakes, like ‘Tank Girl,’ not accepting it, thinking, ‘Is this the apple I’ve re-entered? Does everybody accept a assurance pin through their argot now?’ ”

In axis about UA, Calley oversaw hits such as “The Birdcage,” the blockbuster James Bond cine “GoldenEye” and the alarmingly acclaimed “Leaving Las Vegas.”

In 1996, Calley became admiral and arch operating administrator of afflicted Sony Pictures Entertainment. He stepped bottomward as administrator and arch controlling in 2003 at age 73 to acknowledgment to producing.

“I’ve been advantageous over my career to be able to alteration aback and alternating amid my two abundant passions — managing studios and bearing movies,” he said in a account at the time. “It feels like the appropriate time to abutting this affiliate and activate a new one.”

His after credits as a ambassador included “Closer,” “The Da Vinci Code,” “The Jane Austen Book Club” and “Angels & Demons.” He additionally was an controlling ambassador on the TV mini-series “The Company.”

The son of a car salesman, Calley was built-in July 8, 1930, in Jersey City, N.J. He abounding Columbia University and served in the Army afore ablution his career in the aboriginal ‘50s at NBC, area he rose to become administrator of caliginosity programming.

He after had stints as a assembly controlling and TV ambassador with Henry Jaffe Enterprises and as arch of radio and television programming at the Ted Bates Advertising Agency afore abutting Filmways.

Survivors accommodate his babe Sabrina Calley and step-children Emily Zinnemann, David Zinnemann and Will Firth from his marriage. to extra Meg Tilly.

Services are pending.

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